By – J.C.
Didn’t know what to expect upon taking in my very first live “country music” show over the weekend. Especially once the Hispanic bouncer at the door asked if I was packing any knives as he patted me down.
But even that wasn’t as shocking as the mosh pit that broke out down front. Or that the show was so kick ass that it won’t soon be forgotten. You see, it wasn’t all that much of a “country music” show after all. Crazy drunks were jumping on stage, crowd surfing, getting thrown out after getting their asses kicked by bouncers, all in the name of a little southern-style hell raising.
Sure, Hank Williams III sounds a bit like granddaddy Hank Sr., but he’s nothing at all like father Hank Jr. This guy has a style all to his own. That showed through in the performances he put on for such a rowdy-ass crowd. There were plenty of tattoos, titties and crazy white dudes of all walks of life, which was pointed out by Hank III himself when he said something along the lines of “who else can get country folk, hillbillies, metal heads and your everyday-average-Joe all under the same roof?”
And he played a little something for everyone too this past Saturday night at Club Firestone in Orlando, where the bar ran out of Pabst Blue Ribbon beer and Hank III performed with all three of his bands for nearly three hours in all. There was Hank the country band (with banjo, stand-up bass, drums, fiddle, steel guitar and acoustic), then Hank the punk rock band (Hellbilly) and finally Hank’s most recent project, his death-metal band known as Assjack. The night was insane, to say the least.
Didn’t take long to realize there’s no sense in judging this book by its cover. I didn’t need another similar experience to compare it to. Truthfully, this guy hardly fits into a particular musical genre. He’s as Goddamn independent as they come in the music industry, I mean how many other “country music” albums have ever carried a warning label on them?
Got to respect the fact that he uses his life’s experiences to deliver the wild and edgy songs about booze, drugs, whores and more in tracks such as “Six Pack of Beer”, “Punch. Fight. Fuck.”, “Straight to Hell”, “Thrown Out The Bar” and “Smoke & Wine”, without turning a blind eye to the past. Let’s face it, he had to start somewhere.
That he’s a damn near spitting image of his grandfather, in appearance and tone, is an interesting back-story as even Hank Sr. had a bit of a wild streak in him before passing on at age 29. Over the weekend he was paid tribute to along with the likes of Cash, Waylon and Johnny Paycheck (who’s son happened to be in attendance that particular night.) Yet Hank III doesn’t offer much in the way of honoring his old man, thankfully from my point of view (and likely anybody else’s in attendance, for that matter.)
It was all about raising a great big middle finger to the establishment on this particular night, and I happen to be all for those types of gatherings. I have to say though, never been a part of anything like this and I can’t wait to do it again. Grandpa Hank would have been proud.
6 Comments
you said he didnt pay tribute tomhis old man but the night was one big middle finger to the establishment.
That sentece defines his old man!
Could be true. I really wouldn’t know though. Always saw him as a republican-hugging conformist (in the country music world, at least.) I’ll take your word for it though!!! lol
i love the first tag “assjack”…wtf?…lol….a couple of the tunes in the video sounded pretty cool, the “working man” cut and the “three shades of black”
Hank III fucking rocks!
I’ve seen a few shows and have a couple albums…actually think I still have “Pills I Took”, “Six Pack of Beer”, and “Working Man” on my iPod…
Not into the death metal crap, but lovin’ the edgy rebel shit he spits! You need to get out to a David Allen Coe concert next, you won’t know what hit you!
JC, you rock!
Antnee71 is right on track. Diversity runs in his blood; from the legend and original outlaw himself who combined gospel, folk, country, spoken verse (under a psuedonym) and is widely consider the founder of rock-a-billy music. Jr followed in Sr’s footsteps by breaking away from his daddy’s songs, combining all forms of music, writing some of the most controversial music of that time and still putting on some wild shows himself. Enjoyed the first few albums but am growing tired of all wasted, drugs and screw everybody stuff.
Interesting comments… I don’t tap into this genre very often so it was a nice change of pace for me!
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